The evil that is in the world almost always comes of ignorance, and good intentions may do as much harm as malevolence if they lack understanding.
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To create is likewise to give a shape to one’s fate. For all these characters, their work defines them at least as much as it is defined by them. The actor taught us this: There is no frontier between being and appearing.
God is not needed to create guilt or to punish. Our fellow men suffice, aided by ourselves.
All that remains is a fate whose outcome alone is fatal. Outside of that single fatality of death, everything, joy or happiness, is liberty. A world remains of which man is the sole master. What bound him was the illusion of another world. The outcome of his thought, ceasing to be renunciatory, flowers in images. It frolics—in myths, to be sure, but myths with no other depth than that of human suffering and, like it, inexhaustible. Not the divine fable that amuses and blinds, but the terrestrial face, gesture, and drama in which are summed up a difficult wisdom and an ephemeral passion.
I sometimes think of what future historians will say of us. A single sentence will suffice for modern man: he fornicated and read the papers. After that vigorous definition, the subject will be, if I may say so, exhausted.
Some cry: “Love me!” Others: “Don’t love me!” But a certain genus, the worst and most unhappy, cries: “Don’t love me and be faithful to me!”