captivating quotations from movies, television, literature and people - curated by actual geeks.
It’s a natural aspect of the marketplace. It’s always been that way in storytelling. The guy who was good at playing the lover plays the lover, the funny guy gets the comic role. Movies are so expensive, when they put them together they want to have a couple of solid blocks in what they’re building. I accept that. In theater, though, I tend to look for other things, I think I tend to be best in comedy.
"Weird, As In Walken - No, He's Not Really Nuts ... Maybe", St. Louis Post-Dispatch, February 18, 1996
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More from Christopher Walken
Well, I don’t play heroes obviously. I never played the guy who gets the girl. It might be interesting to do a part where I was a father in a functional family.
"Walken Doesn't Mind Playing Creepy Type - As Long As He's Cast", The Palm Beach Post, Hap Erstein (October 29, 2004)
I play a lot of those parts, and it’s a chicken-and-egg thing. I don’t know whether you get scary because you play those parts or did you get those parts because you were scary? But I do believe that there’s a very close connection to what’s scary and what’s funny. So I think if you have the ability to do one, you might have the ability to do the other.
The Toronto Star (July 20, 2007) "How Walken makes us laugh in fear"
Careers are not often as chosen as people think they are. People talk to me about my choices. I don’t make choices, hardly. Things happen, and you say yes or no – usually ‘yes’, because it’s always better to do something. What’s the choice? Somebody will say, ‘Don’t do that part, you don’t need to do that part.’ And I’ll say, ‘Why not? What am I going to do? Sit around the house?’ I’d much rather go to work, and see actors, and have fun.
"Dancing in the Dark", The Guardian. William Leith, January 25, 2003
I’m not a big fan of other people’s punctuation. When I read a script I’ve got a sort of automatic eraser. I don’t see punctuation or capitals or instructions. I want to decide when the sentence is over. Who’s to say when a sentence ends and the other one begins? Sometimes it begins in the middle of the next sentence.
"Walken on the edge", Marin Independent Journal, Jason Walsh (October 17, 2004)
I have a theory, that there is a terrific link between what is funny and what is scary. I think there is a very close connection between what frightens people and what makes them laugh. Laughter is a kind of nervousness. Animals don’t laugh. Smiling is, anthropologists agree, directly linked to the baring of the teeth.
The Daily Telegraph, "'You're not scared of me, are you?" Jan Moir, March 11, 2002