Small empty slate chair facing a standing oval mirror

Original artwork, not a still

Clinging to the Wreckage (1982) autobiography

John Mortimer

No power on earth, however, can abolish the merciless class distinction between those who are physically desirable and the lonely, pallid, spotted, silent, unfancied majority.

Behind the line

What it means

Our interpretation.

Attractiveness, Mortimer says, sorts people into a hard hierarchy that nothing can undo. Those left outside it are the lonely, pale, spotted and quiet majority. It's a rueful, bitterly funny view of who gets noticed and who doesn't.

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