Austin Powers Quotes — Austin Powers

A man in a velvet jacket and flared trousers struts through a psychedelic 1960s London party, seen from behind. — Original artwork

I put the grrrr in swinger, baby!

Austin Powers

A vintage microphone on a stand in front of three empty red chairs against a powder-blue background. — Original artwork

It's my happening, baby, and it freaks me out!

Austin Powers

Painterly mirrored disco ball beside a steaming patterned teacup on orange and purple shag. — Original artwork

As long as people are still having promiscuous sex with many anonymous partners while at the same time experimenting with mind-expanding drugs in a consequence-free environment, I’ll be sound as a pound!

Austin Powers

A small aged brass hourglass with almost no sand left in the top, casting a long soft shadow on a dark blue background. — Original artwork

Jimi Hendrix deceased, drugs. Janis Joplin deceased, alcohol. Mama Cass deceased, ham sandwich.

Austin Powers

A weathered round shield rests against folded cloth with a white feather along its rim in warm dawn light. — Original artwork

Only sailors use condoms, baby.

Austin Powers

A shaggy-haired man in glasses raises a sake cup from a bubble-filled wooden tub in a Japanese-style Las Vegas penthouse as a woman in a red kimono gasps. — Original artwork

Pardon me for being rude. It was not me, it was my food. It just popped up to say hello, and now it’s gone back down below.

Austin Powers

A Las Vegas hotel suite at night in pop-art colour: a man in a blue velvet suit leans on the post of a round bed while a woman in a short dress and white boots stands across the room, arms folded. — Original artwork

Shall we shag now or shall we shag later?

Austin Powers

Three miniature houses stand on a low blue mound beside a small black spherical bomb with a curved fuse. — Original artwork

There are only two things in this world that scares me and one is nuclear war.

Austin Powers

Three carved theatrical masks in black, charcoal and pale grey show different degrees of frowning against slate. — Original artwork

Shut up, you bastard... who is fat...

Austin Powers

Magnifying glass on a low brass stand above a long white feather — Original artwork

There you are! / Do I know you? / No, but that's where you are. You're there.

Austin Powers

Painterly black leather jacket and sunglasses draped over a small turquoise jukebox against pink. — Original artwork

You're one groovy baby....baby.

Austin Powers

A man in a velvet suit, seen from behind, gives a thumbs-up in a 1960s bachelor pad with a sunken conversation pit, lava lamp and shag rug. — Original artwork

Yeah, baby!

Austin Powers

A mod spy office in red, white and blue op-art: a man in a blue velvet suit and horn-rimmed glasses covers his mouth and wags a finger, a woman with an afro hides her face, lift doors closing behind. — Original artwork

Moley, moley, moley, moley, moley!

Austin Powers

A Tokyo boardroom in red, black and yellow pop graphics: a man in a red velvet suit and a woman with an afro sit in curved chairs laughing, a businessman behind the desk against a neon skyline. — Original artwork

You might be a cunning linguist, but I'm a master debater.

Austin Powers

A swinging-sixties party by the Thames at night: a man in a blue velvet suit leans across a chessboard towards a woman in a white mini-dress and white boots, lava lamps and Big Ben behind. — Original artwork

Do I make you horny, baby? Do I? Do I make you randy?

Austin Powers

A 1990s Las Vegas casino in purple and gold: a man in a purple velvet suit with a hand on his chest and a woman in a black-and-white op-art mini-dress stand at a blackjack table. — Original artwork

Allow myself to introduce... myself.

Austin Powers

A grand honeymoon suite at night: a man in a red velvet suit clutches his head and a woman in a red, white and blue dress turns in surprise as a shoe flies at them from a hulking silhouetted assassin. — Original artwork

Who throws a shoe? Honestly!

Austin Powers

A 1967 London fashion shoot against a giant Union Jack: a photographer in a blue velvet suit kneels with his camera among models in mod mini-dresses and go-go boots. — Original artwork

Oh, behave!

Austin Powers

A sunny Las Vegas corporate atrium on a factory tour: a man in a blue velvet suit leans in close to a woman in a red, white and blue mini-dress among the tour group. — Original artwork

I think you're shagadelic, baby. You're switched on. You're smashing.

Austin Powers